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Meeting MS&T22: Materials Science & Technology
Symposium Art and Cultural Heritage: Discoveries during the Pandemic Year
Presentation Title Egyptian Blue: Experimental Assessment of Process Variability for Museum Exhibition
Author(s) Julia Esakoff, Arumala Josiah Lere-Adams, John McCloy, Travis Olds, Lisa Haney, Ciara Cryst
On-Site Speaker (Planned) John McCloy
Abstract Scope Egyptian blue, based on mineral cuproriviate (CaCuSi4O10), is humanity’s earliest synthetic pigment, known in Egypt from c. 2900 BCE. Scientific investigation of Egyptian blue has been motivated by understanding material technology and conserving artifacts. Additionally, novel optical applications have been found for cuprorivaite. Egyptian blue is synthesized from a silica source like quartz, a copper source (e.g., copper mineral, metal shavings, or bronze scale), lime, and usually an alkali flux to lower the reaction temperature from ~1100°C to as low as ~850°C. In this work, we re-explore synthesis conditions including composition, precursor, temperature, and reaction time. Resulting materials are characterized by X-ray diffraction, visible absorption, and Raman spectroscopy. The synthetic materials are compared visually to art objects from museum collections. The ultimate goal of this work is to produce content highlighting Egyptian blue for a series upcoming exhibits focused on ancient Egypt at Carnegie Museum of Natural History.

OTHER PAPERS PLANNED FOR THIS SYMPOSIUM

Acid Corrosion of Earthenware: Interactions between Aluminosilicates and Sulfur-Containing Adsorbents
Art Glass in Pittsburgh: A Creative Hub from Industrial Roots
Binder and Volcanic Aggregate Transformations in the Mortar of Tomb of Caecilia Metella Concrete, 1C BCE, Rome
Collaboration to Develop and Validate a Microanalytical Methodology to Analyze Early European Porcelains to Predict Firing Temperatures
Complementary Scientific Techniques for the Study of Mesoamerican Greenstone Objects
Egyptian Blue: Experimental Assessment of Process Variability for Museum Exhibition
From the Study of Ancient Objects to the Scientific Study of Culturally Innovated and Curated Technologies
M-1: Standard Artifacts: Reference Materials for Glass Cultural Heritage Research
Multiscale Imaging and Compositional Analysis Correlation of Heritage Science Materials
Reproduction of Melting Behavior for Vitrified Hillforts Based on Amphibolite, Granite, and Basalt Lithologies
The Identification of Materials and Processes Used in the Manufacture of Orotone, Hand-Colored Orotone, and Silvertone Photographs

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